Showing posts with label police. Show all posts
Showing posts with label police. Show all posts

Tuesday, August 31, 2010

NYC SUBWAY VIGNETTE


(Public domain photo from Wikipedia)



Freezing February night. Switching trains.
Manhattan subway stop – wish I could remember
The street number. Near a college, the sign said.
Been about 25 years,
But I’ll never forget
What I saw there:

Long, narrow platform; no one on it
Standing up
But me and a beat cop in uniform.
Station deserted except for him, me
And a couple of homeless guys
Passed out on two of the benches.
I didn’t care, being
Too nervous to sit.

Anyway, this cop strolls up to one,
Twirling his nightstick
As if it were a baton. Suddenly
He grips it by the handle,
Slaps it hard
Against the soles of the guy’s feet.
I thank God he’s wearing shoes.
The loud crack makes me jump,
Although I saw it coming.
The guy barely revives, looking up
Puzzled, luckily
Anesthetized on something.

The cop says, voice ringing out
Off of concrete, “Those benches
Are for PEOPLE,
Not you guys.” Then he looks back,
Flashes me a smile, white
as a blackboard soul drawn by a nun
under his little Hitler moustache.
He expects to see
Approval.
I feel sick, look
Down.
I worked late.
I’m just trying to get
Home.



– © 2010 by Jack Veasey

(All rights reserved. This work may not be reproduced or duplicated in any form without the author's written permission. )

NOTE: "Baton" is actually now a common name for a police officer's club, but when I refer to the word here, I mean the kind marchers twirl in parades.

Thursday, March 4, 2010

GUTTER SAILORS

Streets run like water
Spilled on the world,
Streaming
In bright sunlight, hissing
On the way.

Street kids play
With paper boats
That float in gutters,
Catching them
Before they reach
The sewer, unafraid
Of cars
Or germs.

But unlocking
The fire hydrant
Is a crime. Hide
The magic wrench,
or it might get confiscated
By the cops!

Sadly, it isn’t safe
To play at the real river,
Only half a block away.
The cops find
Bodies
Floating there.


-- © 2010 by Jack Veasey

All rights reserved. This work may not be reproduced or duplicated in any way without the author's written permission.



Yeah, I know. "Morbid" ending, right? I refuse the label "morbid" because it implies it's inappropriate to write (or even think) about certain subjects. Growing up in the city, we were all aware that playing in the streets had an element of danger. And the river -- the Delaware, which flowed right behind my house -- was even more unsafe. If we had forgotten this, we might not be here today.

But by the way, there was originally a "Mary Sunshine" version of the poem, with this additional stanza at the end:

All the more reason
For defiance,
For just grabbing
Any shred of joy
You can.

Fellow poets advised me to edit it out, which felt right to me. I guess we're all "morbid!"

Friday, February 12, 2010

BLOOD AND PILLS

The Central Committee for Conscientious Objectors had a small, dingy office up two or three flights of stairs. There were posters and fliers tacked up on the bulletin board. The man I had come to see – I long ago forgot his name – shook hands with me across a desk strewn with papers. He was the only person there, and he looked harried and distracted, but he was friendly.

It was 1972. I remember the weather was cold. His office was cold, too. I kept trying to pull my denim jacket tighter around me.

I told him I was gay. He said, “That’s cool. But don’t tell them that if you don’t have to.” He asked me a bunch of questions and checked my answers off on a form. He quickly figured out that I was the only male with my family name who could still have children. This apparently qualified me as a Sole Surviving Son – my loophole out of the draft. I was so relieved that I wanted to grab him and hug him, but since I’d just told him I was gay, I didn’t. Even in that joyous moment I noticed the big irony that I’d been freed up to do something I had no intention of doing – namely, to have children.

I wouldn’t turn 18 for a year, but I’d had a big scare put into me about Viet Nam. A guy who lived down the street from me, who people called Butchie, had come back full of gruesome stories about things he’d seen and done in the war. Most of the kids were awed, but I was very disturbed by his stories. I didn’t EVER want to do or even see things like that. I already wished I didn’t remember some of the abuse I’d suffered at home.

As it turned out, the draft would end at the beginning of my 18th year. But I didn’t know that then. I was deliriously happy that I wouldn’t have to go, that I’d be spared from having more horrors in my head. I had a fake ID that got me into bars, easily obtained in the ‘70s, and I used it that night to go out drinking. It seemed the best way to celebrate. Drinking ran in my family.

Later that night I staggered happily down the stairs to the subway stop near City Hall. I smiled at the giant clothespin sculpture that I usually considered an eyesore; I liked to tell people that, because of its proximity to City Hall, it should be clipped to a giant nose.

I paid the cashier, passed through the turnstile, and turned to go down the final flight of stairs to the train platform. At the foot of the stairs, a boy who looked to be my age was backing up against a wall. He looked disoriented and agitated. He was grunting and wheezing, waving his hands in the air. It seemed like he was trying to talk, but couldn’t. I could see three shadows on the floor advancing toward him. He was looking at whoever was casting them. He reached into his jacket pocket.

I heard a very loud bang that just about made me jump out of my skin. The kid fell on his back, head toward the foot of the stairs. I found myself standing over him. He was convulsing. I couldn’t see his face for all the blood. He’d been pulling a prescription bottle out of his pocket, and the pills it had held were scattered throughout the sticky red pool spreading all around him. I knew this had all happened very fast, but it seemed like things were unfolding in slow motion until the cop grabbed me and slammed my back against the metal banister.

He grabbed me by what would have been my lapels if denim jackets had any. He actually lifted me off of my feet and jammed his face so close to my mine that I can’t remember his features at all – just the impression that his face was made of granite. I never did see the faces of the other two cops.

His hot breath went right up my nose, and his voice was a husky combination of a whisper and a bellow. GET LOST, PUNK. YOU NEVER SAW THIS. GOT ME?

I was scared out of my mind. I did what I was told without thought. I left the station and walked for an hour all the way home, gasping for breath, eyes blurred by tears.

I soon learned from a newspaper report that the dead boy was an epileptic who had been having a seizure. They were approaching him, demanding an explanation for his “suspicious behavior,” when he reached into his pocket. He couldn’t talk at the moment; he was trying to explain by showing them his medicine. They thought he was pulling a gun. The story said there were no witnesses.

The story had already come out without my help. so I never came forward. I really had nothing to add, anyway. Rizzo was mayor, and under his regime you never called yourself to the attention of his brutal police force if you could avoid it.

And after all, I was one of the lucky ones. I’d never have to see the atrocities of war. I could thank God for that.



-- © 2010 by Jack Veasey

All rights reserved. This work is not to be reproduced or duplicated in any way without the author's written permission.